Assignment 2 – bibliography

Bibliography – Part 2 “Close to home”

Exercise 1 – Mixing greys – anachromatic scale

http://painting.about.com/od/colourtheory/ss/ColorClassTones_2.htm

www.livepaintinglessons.com

http://www.youtube.com/watch?v=_gZgUz-ukfs

Exercise 2 – Primary & secondary colour mixing

www.jacksonsart.com

http://www.talens.com/media/3235786/88800154-Kleur-ENG_v2.pdf

http://en.wikipedia.org/wiki/CMYK_color_model

www.livepaintinglessons.com

http://www.artmediainverness.co.uk

http://www.colormatters.com/color-and-design/basic-color-theory

http://www.colorwheelco.com/use_cmywheel.shtml

Exercise 4 – Complementary colours

http://www.winsornewton.com/resource-centre/hints-tips-and-techniques/colour-mixing/practical-applications-of-colour-theory/

http://en.wikipedia.org/wiki/Michel_Eugène_Chevreul

Exercise 9 – Exploring contrasts

Mayer, R. (1991) The Artist’s handbook of materials & techniques. 5th edition. London: Faber & Faber.

http://www.color-wheel-pro.com/color-schemes.html

Exercise 14 – Quick sketches around the house

Phaidon Editors. (2011) Vitamin P2: new perspectives in painting. Phaidon Press.

http://www.pinterest.com/pin/522839837960746594/

Research Point 1 – Colour theories of Chevreul

http://www.webexhibits.org/colorart/bh.html

http://www.mathsisfun.com/geometry/prisms.html

Mayer, R. (1991) The artist’s handbook of materials & techniques. Fifth edition. Faber & Faber.

Chevreul, M.E. (1855) Principles of harmony and contrast of colours and their applications to the arts: including painting, interior decoration, tapestries, carpets, mosaics, coloured glazing, paper-staining, calico-printing, letterpress-printing, map-colouring, dress, landscape and flower gardening, etc. Second edition, translated from the French by Charles Martel. London: Longman, Brown, Green and Longmans. pxii. (Filiquarian Publishing, LLC/Qontro – Amazon re-printed paperback edition.

http://www.handprint.com/HP/WCL/chevreul.html

http://en.wikipedia.org/wiki/Michel_Eugène_Chevreul

www.colorsystem.com

www.colour.org.uk

Roque, G. (2011) Chevreul’s colour theory and its consequences for artists. GB: Colour Group.

Johnson L. (1963) Delacroix. New York: WW Norton & Co.

http://www.eugenedelacroix.org/The-Entry-of-the-Crusaders-into-Constantinople-1840.html

http://www.wikipaintings.org/en/claude-monet/wild-poppies-near-argenteuil-1873

http://en.wikipedia.org/wiki/Neo-impressionism

http://www.princeton.edu/~freshman/art/history/artp.html

http://www.vangoghmuseum.nl/vgm/index.jsp?page=2796&lang=en

http://quizlet.com/5971250/art-history-1900-present2-of-11-flash-cards/

Chilvers, I. (2009) The Oxford dictionary of art & artists. 4th edition. Oxford: Oxford University Press.

Foster, H. et al (2004) Art since 1900: Modernism, Antimodernism, Postmodernism. London: Thames and Hudson.

http://www.tate.org.uk/whats-on/tate-modern/exhibition/ey-exhibition-paul-klee-making-visible#mediaitem3

http://en.wikipedia.org/wiki/File:Josef_Albers%27s_painting_%27Homage_to_the_Square%27,_1965.jpg

www.g-e-s-t-a-l-t.org/MEDIA/PDF/Interaction-of-Color.pdf

http://yupnet.org/interactionofcolor/features-and-functions-2/

Albers, J. (2013) Interaction of colour. Yale University Press. Apple iPad app edition.

http://images.metmuseum.org/CRDImages/ma/web-large/DT7795.jpg

Research Point 2 – 17th century Dutch still life & flower painters & subsequent developments to the present day

http://www.nationalgallery.org.uk/paintings/glossary/academy

http://www.artcyclopedia.com/history/academic-art.html

http://arthistory.about.com/od/academic-art-academies/tp/The-Hierarchy-of-Genres-in-Academic-Art.htm

Phaidon Press (1994) The art book. London: Phaidon Press.

http://en.wikipedia.org/wiki/Dutch_Golden_Age_painting

http://webarchive.nationalarchives.gov.uk/20120203094030/http://www.tate.org.uk/collections/glossary/definition.jsp?entryId=286

http://en.wikipedia.org/wiki/Ambrosius_Bosschaert

http://en.wikipedia.org/wiki/File:Willem_van_Aelst_-_Bloementuil.jpg

http://en.wikipedia.org/wiki/Pieter_Claesz

http://www.wga.hu/frames-e.html?/html/b/beyeren/index.html

http://en.wikipedia.org/wiki/Jacob_Gillig

http://en.wikipedia.org/wiki/File:StillLifeWithASkull.jpg

http://www.metmuseum.org/toah/hd/nstl/hd_nstl.htm

http://www.nationalgallery.org.uk/artists/jean-simeon-chardin

http://en.wikipedia.org/wiki/File:Jean-Baptiste_Siméon_Chardin_029.jpg

Research Point 3 – Optical effects & optical mixing

http://www.nationalgallery.org.uk/paintings/glossary/pointillism

http://www.artble.com/imgs/3/d/1/98600/a_sunday_afternoon_on_the_island_of_la_grande_jatte.jpg

http://www.metmuseum.org/toah/hd/seni/hd_seni.htm

www.paul-signac.org

http://en.wikipedia.org/wiki/Camille_Pissarro

Chilvers, I. (2009) The Oxford dictionary of art & artists. 4th edition. Oxford: Oxford University Press.

http://www.artble.com/artists/georges_seurat/paintings/bathers_at_asnieres

http://www.bc.edu/bc_org/avp/cas/fnart/fa257/color_notes.html

http://www.henriedmondcross.org/Flowers-In-A-Glass.html

http://www.op-art.co.uk/bridget-riley/

Research Point 4 – Dutch realist genre

http://www.visual-arts-cork.com/genres/genre-painting-dutch-realist-school.htm

http://www.metmuseum.org/toah/hd/gnrn/hd_gnrn.htm

https://www.rijksmuseum.nl/en/collection/SK-A-180

www.gerrit-van-honthorst.org

http://www.visual-arts-cork.com/old-masters/gerrit-van-honthorst.htm

http://en.wikipedia.org/wiki/Woman_with_a_Pearl_Necklace

http://topics.nytimes.com/top/reference/timestopics/people/v/jan_vermeer/

Hockney, D. (2006) Secret knowledge: rediscovering the lost techniques of the Old Masters. New paperback expanded edition. London: Thames and Hudson.

http://www.bbc.co.uk/arts/yourpaintings/paintings/tavern-scene-115383

http://www.visual-arts-cork.com/old-masters/adriaen-brouwer.htm

http://www.artnet.com/insights/art-education/history-of-rococo-art-rococo-painting.asp#.UwMa6XmDG68

www.jean-baptiste-simeon-chardin.org

http://hoodmuseum.dartmouth.edu/collections/overview/americas/northamerica/uscanada/painting/genre/P99325.html

http://collections.nrm.org/search.do?id=307350&db=object&page=1&view=detail

Solomon, D. (2013) American mirror: the life and art of Norman Rockwell. Kindle edition. New York: Farrar, Straus and Giraux.

http://www.pinterest.com/pin/522839837960746594/

Research Point 5 – Basics of linear perspective

http://www.renaissanceconnection.org/lesson_art_perspective.html

http://www.noteaccess.com/Texts/Alberti/

http://studiochalkboard.evansville.edu/lp-intro.html

http://www.artyfactory.com/perspective_drawing/perspective_index.html

http://legacy.mos.org/sln/Leonardo/ExploringLinearPerspective.html

http://smarthistory.khanacademy.org/Brunelleschi.html

http://www.creativeglossary.com/art-perspective/linear-perspective.html

http://www.britannica.com/EBchecked/topic/7229/aerial-perspective

Alberti, Leon Battista. On Painting. [First appeared 1435-36] Translated with Introduction and Notes by John R. Spencer. New Haven: Yale University Press. 1970. First printed 1956. via online source: http://www.noteaccess.com/Texts/Alberti/2.htm

www.leonardoda-vinci.org

General Reading

Gury, A. (2008) Alla prima: a contemporary guide to traditional direct painting. New York: Watson-Guptill Publications.

Henri, R. (2007) The art spirit. e-book edition. Cambridge MA: Basic Books.

Petry, M. (2013) Nature morte: contemporary artists reinvigorate the still-life tradition. London: Thames & Hudson.

Purcell, C. (2013) Your artist’s brain: use the right side of your brain to draw and paint what you see – not what you think you see. e-book edition. Cincinnati OH: North Light Books.

Ross, D.W. (1919) The painter’s palette: a theory of tone relations, an instrument of expression. Paperback edition, historical reprint (2011). Ulan Press.

Part 2 Bibliography  ← click the link to download a .pdf version of this page

Stuart Brownlee – 512319

26th February, 2014